The science of nectar

Nectar is that sweet reward that flowering plants provide animals in exchange for their services as pollinators. It sounds incredibly simple on one level – much like rewarding a dog with a treat after it obeys a command. However, dig a little deeper and you realise that the reproductive success of the plant is dependent on very subtle yet complex characteristics of this substance – including when it’s produced and how much is produced, as well as its very composition.
Flowering plants will optimise the characteristics of their nectar in order to influence the foraging behaviours of pollinators and ultimately improve their reproductive fitness. The characteristics of the nectar not only determine which pollinators are attracted and when they come, but how frequently they visit and how long they stay. Suddenly one realises that there is an extremely complex system of regulatory mechanisms behind nectar secretion, which have not only influenced the evolution of flowering plants, but of the pollinators themselves.
Red admiral butterfly close up
Red Admiral butterfly (Vanessa atalanta) drinking nectar. 
Photo credit: Shelby Temple.

Nectar isn’t just about sugar

But before we get into the evolution, let’s first consider what nectar is, because as it turns out it’s not just about sugar – there are a number of things in nectar that are important for pollinators.
There is no denying, however, that carbohydrates – sugars such as glucose, sucrose and fructose – are usually the main constituent of nectar. Nectar will be anywhere between 7 to 70 % carbohydrates per water weight [1]. Other sugars might also be present in small amounts as well as sugar alcohols, such as sorbitol. It is these sugars that are the primary energy source for nectar consumers.
Amino acids and proteins are the next most abundant solute in nectar after the sugars. There are essential and non-essential amino acids, which are the building blocks for proteins and there are some non-protein amino acids that are constituents of enzymes and preservatives. It is thought that the amino acid and protein content of nectar may play a role in the taste preferences of insects [1], presumably related to their nutritional needs.
The water content of nectar may also be an important reward for pollinators, particularly in dry habitats.
Nectar also contains important ions, such as potassium, as well as antioxidants, trace amounts of lipids and some secondary compounds that seem to be associated with resistance to herbivory. 
Macro photography bee
A bee gathering its nectar reward in the Botanic Garden.
Photo credit: Shelby Temple.
Many species have also been shown to have antimicrobial compounds in their nectar, which prevents microbes from growing in the nectar as well as inhibiting florally transmitted diseases [2].
Terpinoids, which are the volatile organic compounds that give flowers their scent, also accumulate in the nectar.
The composition and consistency of nectar is extremely variable as it is tuned to the needs of the nectarivores (it’s a word…really). Flowers frequented by hummingbirds, for example, generally produce nectar in small amounts with high sugar content, while those frequented by more generalist passerine birds produce dilute nectar in large quantities. There has been some evidence that honeybees have a preference for warmer nectar that’s less viscous, regardless of the sugar concentration [3]. Bats also seem to prefer less viscous nectar, though will preferentially select more dilute nectar as the water content is extremely important for their rehydration.

Not all nectar is produced in the flower

Nectar is produced in glands known as nectaries. The glands are commonly found at the base of flowers, where they produce nectar as a reward for pollinators. However, there are also extrafloral nectaries located elsewhere on the plant, often on the leaves or petiole – the stalk that attaches the leaf blade to the stem. These nectaries provide a reward for mutualistic animals, almost exclusively ants, which benefit the plant. The ants help protect certain plant species by getting rid of the eggs of herbivorous insects deposited on the foliage and in return they feast on the nutrient rich nectar secreted by the extrafloral nectaries.
Extrafloral nectaries might be particularly critical at certain times in the plant’s lifecycle. For example, there are often nectaries located on the pedicelthat secrete nectar when the flowers are in bud. This attracts ants, which help protect the vulnerable flower buds from herbivorous insects and improves the reproductive success of the plant [4].
Unlike nectar produced in the flower, nectar produced in the extrafloral nectaries is far less variable as it is attracting mostly ants.

Darwin’s orchid: a classic example of the coevolution of flowering plants and their pollinators

Producing nectar may use up to 37% of a plant’s available energy [5]. This means that producing it comes with some cost to the plant, but these costs are clearly outweighed by the benefits of attracting pollinators that are far more efficient than relying on wind or water.
The evolution of flowering plants and their pollinators is the most frequently used example of coevolution – the physical characteristics of both flower and animal evolving to become more specialised. It was around 120 million years ago that honeybees developed longer tongues than their short-tongued ancestors in order to access the nectar reward flowers had started to produce. Their social structure became more complex and they became fuzzier and developed pollen baskets in order to carry protein-rich pollen, but also facilitating their role as pollinators.
Darwin’s orchid in bloom at the Botanic
Garden last year. Photo credit: Andy Winfield.
The flowers also changed shape in response to the preferences of their pollinators. The most classic of these examples is Darwin’s orchid (Angraecum sesquipedale) with a flower depth of 20 to 35 centimetres. The Madagascar orchid was named after Darwin because he proposed, based on its shape alone, that it had to be pollinated by an insect with a proboscis of lengths unheard of at the time. Forty years later, Morgan’s sphinx moth (Xanthopan morganii), was discovered with an unusually large proboscis…and it was indeed the pollinator of this orchid.
It is also thought that nectar chemistry itself has evolved in response to pollinators. As mentioned earlier, bats prefer nectar with low sugar concentrations and as a result bat pollinated plants from very diverse and distantly related taxonomic groups have evolved nectar with low sugar concentrations.

Deceit and robbing

Not all flowers use nectar – some have non-rewarding flowers. Around 30-40% of species within the orchid family do not produce rewarding nectar in their flowers [6] and instead use different methods to attract pollinators. Orchid flowers may look like another species that provides nectar or they may mimic shelters or brood-sites or even pollinators themselves in order to draw the attentions of individuals looking for a place to shelter or for a potential mate (such as in bumble-bee orchids).
Just as plants have found ways to get pollinated without producing nectar, some animals have found ways to get nectar yet avoid being pollinators. Some flower visitors – known as nectar robbers – will avoid the normal route to the nectar, usually avoiding the floral opening all together and pierce or bite the flower elsewhere to extract the nectar directly without coming into contact with any of the reproductive parts.
For many years it was thought that nectar robbers had a negative or neutral effect on the plants, but over the last couple of decades, research has shown they can also have a positive effect on the plant. Firstly, some nectar robbers do ultimately end up pollinating the plants. Secondly, their presence can modify the behaviours of the pollinators. For example, if flowers have less nectar (because the robbers have extracted some) then pollinators will visit more flowers, increase their foraging range, travel further distances and spend less time at each flower – all of which could improve cross pollination and increase genetic diversity. Maloof et al [7] provide a good review on this topic.  
There has been extensive research done on the characteristics of nectar and its relationship with pollinators. More recent research, however, is starting to unravel the mechanisms by which plants produce nectar – identifying some of the pathways sugars are transported within the plant and concentrated in their nectar [8]. There is still lots to learn.

Sources:

[1] Pacini E, Nicolson SW (2007). Chapter 1: Introduction, In: Nicolson SW, Nepi M, Pacini E (Eds.) Nectaries and Nectar. Springer: The Netherlands. ISBN: 978-1-4020-5936-0. (pages 8-10).
[2] Sasu MA, Wall KL, Stephenson AG (2010). Antimicrobial nectar inhibits a florally transmitted pathogen of a wild Cucurbita pepo (Cucurbitaceae). American Journal of Botany 97 (6): 1025-1030. (link)
[3] Nicolson SW, de Veer L, Köhler A, Pirk CWW. Honeybees prefer warmer nectar and less viscous nectar, regardless of sugar concentration (link).
[4] Bentley BL (1977). The protective function of ants visiting the extrafloral nectaries of Bixa orellana (Bixaceae). J. Ecol. 65 (1): 27.38.
[5] Pyke GH (1991). What does it cost a plant to produce floral nectar? Nature 350: 58-59. doi: 10.1038/350058a0
[6] Johnson SD, Hobbhahn N, Bytebier B (2013). Ancestral deceit and labile evolution of nectar production in the African orchid genus Disa. Biol. Lett. 9 (5): 20130500. doi: 10.1098/rsbl.2013.0500.
[8] Lin IW et al.(2014). Nectar secretion requires sucrose phosphate synthases and the sugar transporter SWEET9. Nature 508: 546-549. doi: 10.1038/nature13082

The Native Bluebell: Britain’s favourite flower in trouble

by Helen Roberts


It is a beautiful spring morning in May and I am taking my children for a walk. We are venturing to some local woods on the edge of the Mendip Hills, a stone’s throw away from our house.

The woods are secreted away in a limestone gorge. The stubby cliffs of limestone are clothed in ivy and gradually open up into a steep sided valley. A tiny stream channels through the gorge; tributaries often disappearing down sink holes. We trek across a ploughed field to the gate that lets us into the wood.

As we pass through the kissing gate, there is an overwhelming smell – it’s the heady perfume of the native bluebell, Hyacinthoides non-scripta. The woods are carpeted in vibrant blue (the colour almost glows it is so vivid), dotted with ferns and intermingled with wood anemones (Anemone nemorosa), Lady’s smock (Cardamine pratensis), wild garlic (Allium ursinum), greater stitchwort (Stellaria holostea) and yellow archangel (Lamiastrum galeobdolon). It is one of my favourite places for a walk in the spring and it is made special because of the sight and smell of bluebells.

Bluebell woods in Britain are under threat

British woodland with bluebells in bloom

Bluebells blanket the ground in British woodlands
this time of year. Photo credit: Shelby Temple

Bluebell woods are an iconic part of our natural heritage and are one of the most beautiful sights to encounter in the British countryside. They were voted Britain’s favourite flower in Plantlife’s ‘CountyFlowers project in 2002 and we have 50% of the entire world population in our country.
Sadly, the indigenous bluebell, Hyacinthoides non-scripta, is in danger because it cross breeds with the commonly planted Spanish bluebell (Hyacinthoideshispanica) and with the resulting fertile hybrid (Hyacinthoides x massartiana). Molecular studies have shown that the Spanish bluebell and the native bluebell have a shared ancestor [1], but Hyacinthoides non-scripta has developed in isolation over the last 8,000 years, its range to the north of the Spanish bluebell [2].

Polluting bluebell genetics

The Spanish bluebell has been grown as a garden plant in Britain since 1683 [3] and it and its hybrid have now ‘gone over the garden wall’ and are encroaching on our native bluebell woods. Its leap over the ‘wall’ has most likely been facilitated by bulbs being thrown out or dumped near native woodlands. The Spanish bluebell looks a thug of a plant next to our native one – being a much bigger plant – and is reported far more vigorous. 
Hyacinthoides non-scripta
Native bluebells are low to the ground and
deep blue to violet in colour. The flower spike
distinctly nods to one side. Photo credit: Glyn Baker
[CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0)],
via Wikimedia Commons
In its native range, the Spanish bluebell has a wider ecological tolerance to that of the native bluebell. It copes better with drier and more exposed conditions and can therefore grow in more open sites, such as roadside verges and waste ground. The Spanish bluebell is a garden favourite because it’s so much larger and can establish itself and grow quickly. Both the Spanish bluebell and its hybrid, however, have the ability to take over leading to the loss of genetic integrity of the native bluebell.
The native and bluebell hybrid are really difficult to tell apart even by expert botanists and sometimes the only way to distinguish between them is to apply DNA analysis. Many gardeners are sold the hybrid mislabeled as ‘English Bluebell’ and have planted them in good faith thinking these were the native bluebell.

The hybrids were first recorded in the wild in 1963, though they were likely there long before then as the Spanish bluebell was first recorded in the wild in 1909. The Natural History Museum gives good guidance on how to identify your bluebells with a supporting video given by botanist Fred Rumsey here.

Nation-wide bluebell surveys show extent of Spanish bluebell invasion

A survey performed by Plantlife International in 2003 found that one in six broadleaved woodlands surveyed were found to contain the hybrid or Spanish bluebell. The survey drew attention to the threat posed to our native bluebell as well as the need for more research in order to better understand species distribution, gene transfer across species and appropriate horticultural management of bluebell species.
Thankfully, it has been illegal (without a license) for anyone to collect and sell native bluebells from the wild since 1998 as they are protected under the Countryside and Wildlife Act (1981). Current legislation allows for the issuing of a special license to collect wild seed for commercial sale. These safeguards ensure that collection is done sustainably and protects wild bluebell populations.
The native bluebell is a priority species under the UK BiodiversityAction Plan (BAP). Plantlife International states that it’s vital that the horticultural industry stop the deceiving sale of the Spanish and hybrid bluebell as native bluebell. Plantlife has also worked with Flora Locale to set up an industry code of practice. Flora Locale helps people get in touch with suppliers in their area who sell seeds of local provenance. Another initiative between Landlife and the Mersey Forest produces a legitimate source of bulbs grown from seed with a long term programme running to plant them in new woodlands. Plantlife International also gives advice about making sure that gardeners check suppliers of bluebells and how to remove Spanish or hybrid bluebells from your land – read more here.
The Natural History Museum launched a bluebell survey in 2006 (of which you can take part) to look at the extent to which non-native bluebells have spread into the British countryside. Results from the last eight years show that most bluebells in urban areas are now hybrids, but fortunately there are still large areas of countryside containing our native species.
Since 2010, the survey has concentrated on comparing the flowering times of native and non-native bluebells to understand how they will each respond to climate change. By comparing recent surveys with past data, it is possible to find out whether the flowering season is changing. These data need to be collected over many years in order to tease out any real effects of climate change from the natural fluctuations inherent in any population.

Sources:

[1] Grundmann, M. et al. (2010). Phylogeny and taxonomy of the bluebell genus Hyacinthoides, Asparagaceae [Hyacinthaceae]. Taxon, 59 (1): 68-82.
[2] Natural History Museum [website] Hyacinthoides non-scripta (British bluebell). http://www.nhm.ac.uk/nature-online/species-of-the-day/biodiversity/endangered-species/hyacinthoides-non-scripta/
[3] Pilgrim, E. and N. Hutchinson. Bluebells for Britain: A report on the 2003 Bluebells for Britain survey.  Plantlife International. <http://www.plantlife.org.uk/uploads/documents/Blubells-for-Britain-report.pdf>

More sources of information on bluebells:

Preston C.D. et al. (2002). New Atlas of the British and Irish Flora: An Atlas of the Vascular Plants of Britain, Ireland, The Isle of Man and the Channel Islands. ISBN: 9780198510673. [Provides information on each taxon]

Tines T.D.. et al. (2012). The Wild Things Guide to the Changing Plants of the British Isles. ISBN: 9781905026999. [Provides information on the spread of non-native bluebells]

We’re gardenin’ in the rain

By Helen Roberts


It has been unbelievably wet since the start of 2014 with England experiencing it’s wettest January since records began over 100 years ago. The Somerset levels have suffered dreadfully and huge areas are still underwater and are likely to remain so for weeks or even months to come. From where I live, on the Mendips, I have far-reaching views over to Glastonbury Tor and the Quantocks and the area of levels in between looks like the vast inland sea it once was. In most other areas, the ground is completely saturated and in some places water is bubbling up to the surface.

Flooding in Greylake, Somerset in February, 2014. Photo
courtesy of Live-vibe on Flickr CC

What does waterlogging do to our gardens and what can we do to solve it?


Many plants do not like to be waterlogged because their roots need oxygen as well as water and nutrients. When roots are starved of oxygen they die and these dead roots can then act as a host for fungi such as Phytophthora, a root rot. Shrubs and fruit trees are particularly vulnerable to waterlogging as they cannot put on new roots as quickly as perennials and cannot stand long periods under water. Add freezing conditions with waterlogging and your plants may be in big trouble.
Winter flooding may not be fatal though, as many plants can experience and survive winter flooding for short periods of time. You can give your plants a helping hand if they’re waterlogged by pruning ornamentals right back so that they don’t have to protect so much above ground. You can also remove any dead or dying shoots and take cuttings as a back-up should the plant die. Smaller plants can be transplanted into pots with fresh compost, removing dead roots before transplanting.
Looking after waterlogged lawns is a different matter. If your lawn is squelchy to walk on at the moment, try to stay off it. Walking on it will only aid compaction and make matters worse. Waterlogged lawns can quickly lead to the grass dying and moss, algae, lichens and liverworts taking over. I do not have an issue with these plants in a lawn per se and I am not one to fret over weeds in a lawn either, but if you do want to make things better and improve a waterlogged lawn there are a number of options.

You can try pricking, spiking or slitting the surface of the lawn with powered tools or even a fork. This leaves holes that can be infilled with lawn top dressings or horticultural sand. It is best to get rid of surface water first, if possible, by sweeping it off with a brush into the borders. Otherwise, wait for it to drain naturally. Alternatively, convert your lawn into a water meadow!

Create a partnership with nature


Sometimes struggling against waterlogging in your garden or parts of your garden is a losing battle. It is simply better to accept the natural conditions of your garden and work with what you have. Rethink your palette of plants and cultivate those that favour wet soil. If the ground is permanently wet, consider establishing a bog garden as bog plants can be truly architectural in their habit and are excellent for attracting wildlife.

Some suitable bog species suggested by the RHS website include:
Herbaceous perennials: Bog primulas, Eupatorium maculatum Atropurpureum Group, Darmera peltata,Iris ensata ‘Rose Queen’, Iris laevigata, Ligularia ‘The Rocket’, Lobelia cardinalis, Rodgersia pinnata‘Superba’, Trollius x cultorum ‘Superbus’
Grasses: Spartina pectinata ‘Aureomarginata’, Carex elata ‘Aurea’
Ferns: Athyrium filix-femina, Matteuccia struthiopteris

A sustainable approach to managing flooding

How we manage water and excessive water in our own gardens, particularly in urban areas where there is nowhere to drain excess water, is very relevant at present considering the amount of rainfall we have had over the last couple of months.
Sustainable urban drainage systems or SuDS are approaches of managing surface waters taking into account quantity (flooding), quality (pollution) and amenity issues of water. They ultimately contribute to sustainable development and improve urban design. These systems mimic nature and manage rainfall as close as possible to where it falls aiming to slow water down before it enters watercourses. This is basically done by forming structures and landforms that can store water and allow water to soak into the ground, evaporated from surface water or lost through evapotranspiration. 

The use of SuDS is not by any means a new concept to ecologists, engineers, architects and landscape architects. It has been implemented very successfully worldwide and been effective in its way of managing water but also contributing significantly to the production of some truly innovative and outstanding design as well as creating areas of ecological value.

So how can you manage rainwater on a smaller scale in your own garden?

Nigel Dunnett, Professor of Planting Design and Vegetation Technology, and Director of the Green Roof Centre at the University of Sheffield is an expert in rain gardens and small scale rainwater management features. His research has looked at innovative approaches in planting design and landscaping that serve to store, collect and infiltrate rainwater runoff. Examples include the use of storm water or through flow planters, which are essentially raised, planted beds at the base of buildings that can take runoff water directly from roofs or adjacent areas of hardstanding.
The key to Dunnett’s research is that it can be replicated on a small scale in one’s own garden and can be just as effective in terms of its aesthetic and ecological value, particularly in urban areas.
Other approaches to managing rainwater include reducing runoff from hard surfaces, such as driveways and patios, by using permeable paving that allows water to soak directly into the ground. Roofs on sheds and garages or any external outbuildings in the garden could have green roofs installed. Furthermore, you could use Dunnett’s techniques of creating rain gardens and create a truly sustainable garden that works with nature and not against it.
Nigel Dunnett was a recent speaker with the University of Bristol Botanic Garden Friends’ Lecture series.

An interview with Mark Bolton: photographer, traveller, cider-lover and allotment dweller

It was nearly a year ago when I first emailed professional photographer Mark Bolton about an interview. He’s a busy man. However, last week our schedules finally meshed and we got to chat on the phone about his lifelong passion for photography, his love of gardens and his long-time connection with the Botanic Garden.
Of course, before I spoke with Mark, I had a thorough look at his website (www.markboltonphotography.co.uk), trying to glean as many details about him as possible so as not to waste too much of his time. There is, as one would expect, an outstanding portfolio of his commercial photography – extravagant hotel interiors, delicious food, immaculate homes and exquisite gardens. However, it is the images under his “personal” tab that have me intrigued and perhaps provide a glimpse into the man behind the camera – a traveller, a cider-lover, and a gardener. There are images of frequent visits to East Prawle that spark a thousand questions in my mind: I want to know the lady in the outrageously colourful camper and what the man with the binoculars is looking at…and tell me the story behind that dog! I’m looking forward to the interview.

A lifelong passion

View of the Holmes. Photo by Mark Bolton.

Mark has been a professional photographer for over 20 years and photography has been a passion for as long as he can remember.
“My dad gave me a camera when I was a young teenager”, said Mark, “and I never really wanted to do anything else.”
Mark started off as an assistant to a well-known interior photographer. However, he quickly realised that the same magazines that were buying the house and home interior shots were also looking for garden images. As he had always been inspired by nature, he thought he would have a go at garden photography.

Connections to the Botanic Garden

As with any skill, photography takes practice. Being Bristol-based, Mark started to go to the Botanic Garden at the Bracken Hill site to practice photographing plants.
“I used to go almost every day,” said Mark. “I would go in early in the morning before anyone got there and when the light was best.”
Mark hesitantly admits that he misses the Bracken Hill location – an emotional tie to the place where his successful career blossomed (that’s my awful pun…not his). Today, Mark is still a frequent early-morning visitor to the Botanic Gardens. Each visit presents itself with different light, different backgrounds, and seasonal changes that create new opportunities for photography.
It was also Mark’s familiarity with the garden that prompted him to suggest to his dad, Colin, that he consider becoming a volunteer gardener. Colin has now been volunteering with the garden for ten years.

The challenges of garden photography

Frosty flowers. Photo by Mark Bolton.

Before I even get to ask the obvious question about the challenges of garden photography, Mark starts to tell me how the market has changed over the years. When he started out it was easy to sell garden images. However the internet, the move to digital platforms and a plethora of amateur and semi-pro garden photographers has changed the game, diminishing that particular income stream.
Aside from the greatest challenge of making money doing it, garden photographers must also face the elements. Having experienced significant hail storms and veritable downpours in the last 24 hours, I would imagine that working in the UK can be particularly frustrating at times.
However, it is the garden photography that he loves, and Mark hopes to do more in the coming year. When compared with some of the other commercial work that he does, Mark says that with garden photography “there’s no styling – you just have to look for the picture”.

Mark’s second office

During the busy season between April and October, Mark spends at least three days a week out photographing. Then there is considerable time spent at his computer processing the images. Whatever time he has left Mark spends at his second office – his allotment.
“Photography is not a 9 to 5 job,” said Mark. “I always have a camera with me.”
Even at the allotment. In fact, Mark admits that he will plant things with a view of making a picture – considering aesthetics as much as the practical needs of the plants.

The details

Mark visits the Botanic Garden in the early morning, before
visitors arrive and when the lighting is better.
Photo by Mark Bolton.

I couldn’t possibly write a post about photography without satisfying the needs of those wanting the technical details…so here they are. Mark’s equipment of choice at the moment is a Canon EOS 6D with a mix of lenses, but for a lot of his garden work he uses a 100 mm macro lens. Other than that, his equipment list essentially consists of the mandatory tripod and a piece of small white card for adding some reflective light when necessary.

Though it’s unlikely that you’ll get to see Mark practicing his art in the garden as he has usually come and gone before it’s open to the public – you can see some of his work on his website and in any number of publications such as The Telegraph, The Guardian, Homes and Gardens, House and Garden, and Country Living (to name only a few). He has also been kind enough to share some of his work from the garden for this blog post…so, please enjoy!
Photo by Mark Bolton.

Photo by Mark Bolton.