Bristol – University of Bristol Botanic Garden

Tea, thatch and early spring

Posted on February 15, 2019February 15, 2019 by andy.winfield

Today as I write this the sun is shining, the birds are in full voice singing, cawing and screeching around the Garden. Bulbs are popping up, crocus are the first with daffodils a week away from carpeting the ground with yellow. Primroses are dotting grassy areas and bees are beginning to forage in the middle of the day; the minimum temperature that a bee can fly is said to be 13 degrees, so when you see one out and about you know the season is changing. In February in this part of the UK we get an extra two and a half minutes of light every day; after February and through March to June it is only two minutes. This is why a lot seems to change in February in the Garden, it is a conduit for spring; the end of January is incomparable to the beginning of March in terms of light, flower and the beginnings of warmth. We’ll still get ice, cold, wet and maybe even snow again between now and summer, but days like this make us feel that winter is nearly behind us.

In the Garden there are exciting changes happening. Our South African display has had the framework of a traditional African roundhouse present for much of last year; as I write this it is being thatched with a South African reed called Cape thatching reed; Thamnochortus insignis, the building will then be rendered in a red cob. These features are important for bringing context to the plants around it, being a talking point and attracting people to the Garden where they can leave with maybe a lot, maybe a little, but some new knowledge of the plant world that they didn’t have before.

Another development is our Chinese tea plantation. Yes, a tea plantation here in Bristol, just a small one but a tea plantation none the less. When landscaping the area where we’ll grow tea, visitors ask what I’m doing and seem intrigued and interested with the response. Tea is something that is in the heart of UK people, many conversations, moments of relaxation, tears and laughter have happened over a cup of tea and many millions of hands have been warmed on a mug during winter. In China tea drinking dates back 5000 years. Legend has it that Emporer Shen Nung was boiling water when leaves from a wild tree blew into his pot; he was so interested in the aroma that he drank some. He named the brew ch’a, meaning to check or investigate. Tea became integral to the culture of China when Lu Yu, a Chinese scholar, dedicated his life to the study of tea; he wrote a treatise called ‘ The Classic of Tea’ in 760CE, the earliest work dedicated to tea. Today every Chinese household will have tea brewing sets and use tea brewing as a form of welcome, celebration, in family gatherings or to apologise. We’re looking forward to planting our fifteen (so far) Camelia sinensis plants; they should be in the ground by March, which, coincidentally, is when our refreshments open again after the winter…

We look forward to seeing you in the Garden, keep your eyes on the ground and enjoy early spring!

Plant blindness

Posted on October 15, 2018February 12, 2019 by andy.winfield

You may or may not of heard of the term ‘plant blindness’; it’s a phrase that we in the Botanic Garden have been hearing much more of in recent years and will continue to throw around in the future. It refers to the slow shutting off of plant knowledge from generation to generation resulting in an inability to acknowledge plants around us. The simple things that were once common knowledge, such as dock leaves used for nettle stings are becoming bred out of a collective instinct and plants are becoming irrelevant and annoying green things to many people.

I can remember when my eyes were truly opened. I noticed trees that I hadn’t before; as I walked along the street I started looking at the borders and the hanging foliage all around me. Before, I’m not sure what I looked out for in the streets, the pavement or the shops, who knows, but plants for sure changed my life and I see them changing the lives around me at the Botanic Garden. I think I could live to be three hundred and still find something in the plant world that fascinated me. This week I learnt about the incredible relationships between some species of orchid and ants. The ants don’t pollinate the orchid flower but hang around the plant living off an ‘extrafloral’ nectar secreted elsewhere; they then do everything to protect their food source and keep the plant safe. Plants and animals have these delicate relationships that allow both to flourish, and it’s fair to say that ours has become less delicate over the years.

Dandelion seed head

This change in the collective instinct of people has come about through successive generations becoming more urbanised with less plant interaction such as blowing a dandelion seed head, throwing a grass seed dart, eating wild blackberries or sticking cleavers to jumpers; children still do this but there are many who don’t and lose a connection with the plant world. The result of this is that education reduces the amount of plant learning, and in biology courses there is a main focus on the animal kingdom; there is a perceived lack of interest in the plant world. Things have become so bad that the Oxford Junior Dictionary removed words like ‘acorn’ and ‘buttercup’ preferring instead ‘broadband’ and ‘cut and paste’; they were seen as no longer relevant to a child’s life.

University of Bristol Botanic Garden

There is however, a great appetite among young people to be green, to recycle and mend the excesses of the generations that went before them; often students tell me it’s the biggest issue for them and they’d like to make a difference. How is a difference made? I think we can all make a simple difference by introducing plants to friends and relatives, opening eyes to the trees and weeds and the force of life going on around us and under our feet. It could be argued that many of the world’s problems can be solved with plants; forests, food, habitats are all areas that need experts, and while there are many graduates of zoology degrees there are few from plant sciences. This is changing with Universities now offering full plant science degrees; there are many jobs in plant sciences as governments and companies are beginning to see how important it is. Bristol University is launching a plant science degree starting in September 2019 based in the magnificent Life Sciences building with a group of world experts in the field of plant science. Of course, undergraduates will use the Botanic Garden as a second home and have access to all our knowledge and experience, we’re really looking forward to it. If you, a relative, son or daughter are interested click here to view the degree.

We all have a role to play in protecting our relationship with the natural world which can be played by simply talking about the plants we see to people. I’m always disposed to optimism and today’s

young people seem to be committed to green ways; this problem arose through successive generations and perhaps it can be cured in the same way, the passing down of knowledge as we go.

By Andy Winfield

The Impossible Garden

Posted on July 27, 2018February 12, 2019 by andy.winfield

We’ve always felt that art and the Garden work well together. Every Easter we run a sculpture exhibition which brings this home, plants and art are good friends; nature’s sculpture makes the Garden a gallery and placing human art amongst it embellishes both. With this in mind, for some time we’ve wanted to show a permanent summer exhibition but nothing has fit the bill.

Luke Jerram on one of his exhibits.

Step in Luke Jerram this year. If art and plants are good friends, so are Luke and Bristol; he has created a perfect replica of the moonwhich is floating at various locations around the world at the moment; he created a giant water slide down one of Bristol’s busiest shopping streets for one day in 2014, a day that brought the city together, everyone was smiling; he also positioned pianos around the city for anyone to play, I’d love walking home from work to hear music drifting along the street. As you can see Luke is very much a force for good in the city, and unknown to us was regularly visiting the Garden with his family. So, when he contacted us to ask if it was ok to display The Impossible Garden here we took five seconds before nodding vigorously, yes please!

The exhibition sits well in the Garden and is the outcome of a residency at the Bristol Vision Institute (BVI); Luke is colour-blind and wanted to explore the processes and limitations of vision. With the help of Bristol University BVI researchers and the Bristol Eye Hospital he spent time with visually impaired children to help him understand. The result is a series of exhibits that are fun yet also thought provoking, making you question how you perceive objects, colours, reflections and patterns.

One thing that highlights the diversity of exhibits is that every member of the Botanic team has a different favourite showing that we all observe things in a different way from each other.

I think this is one of the best events we’ve had here at the Botanic Garden; it’s a real pleasure to see visitors ‘getting’ the exhibition, from youngsters to their grandparents. Everyone sits on the oversized picnic bench, peeps into the infinite pool, tries the door to nowhere and sits on the glitchy park bench.

It looks like Luke has nailed another one.

The exhibition runs throughout the summer and the Garden is open for seven days a week from 10 until 4:30; see you here!

Andy Winfield

Beauty in Nature, Nature in Beauty

Posted on May 25, 2017February 12, 2019 by andy.winfield

The 2017 University of Bristol Botanic Garden Sculpture Festival and Quilting Exhibition

By Alida Robey

Plant holder by Willa Ashworth.
Photo credit: Alida Robey

I have to confess that my expectations were low when I entered the University of Bristol Botanic Garden on Easter weekend to explore the sculpture festival. I have been to a few of these types of events over the years, none of which have done much to enhance either the setting or the ‘nicknacks’, described as art, on display. I tend to favour simple uncluttered gardens, focused on plants. My preconceived ideas were soon turned on their head, however, by the huge crowds queuing to get in and people milling about happily in the gardens. The right balance had been beautifully struck between fine art and very accessibly ‘buyable’ items.

This year’s festival was the busiest yet with a record 4,729 people coming through; this annual Easter weekend event has been gaining in popularity with 2,459 people in 2013, 2,889 in 2014, 3,156 in 2015 and 3,161 in 2016. The exhibition effectively showcased the art, while at the same time drawing people through the various garden displays, with works of art that were well suited to each of the distinct areas of garden.

Large flame scallop by Philippa Macarthur.
Photo credit: Alida Robey

I spoke to several people who were all warmly enthusiastic about the whole event; helped by good weather, these visitors said they had enjoyed the atmosphere of bubbling positivity, been impressed with the creativity on display, and were thoroughly delighted in wandering through the gardens enjoying the new life bursting into leaf and flower. It was an all-round good day for people of all ages.

I had seen a few people walking away clutching items of garden art that they had purchased. Talking to some of the traders there, it was apparent that this had been a great success from their point of view too. They loved being in the beautiful setting, had enjoyed seeing how the gardens had developed since previous years and were pleased at the response they had had from visitors who, if they hadn’t made purchases, often went off with contact details to follow up on at a later date.

Dish by glass artist Adele Christensen.
Photo credit: Alida Robey

One could not do justice here in print to the range and diversity of work on display. From the large shallow dishes made by Adele Christensen (see photos) with their lustrous and mysterious finish, looking like something you might find in a magical rockpool, reflecting sky and water. To the silver metal figure by Daren Greenhow, standing wistfully in a sea of anemones reaching out holding a bird perched on its hand and set beautifully at the base of a great tree.

Ringing ceramic bells beneath the maple.
Photo credit: Alida Robey

The delightful family I joined for my tour of the exhibition drew me into things I might otherwise have missed. There was a beautiful maple tree with its new leaves unfurling above us and, as we walked under its canopy, we noticed ceramic bells suspended from its lower branches. All the family had a go at ringing the bells and their tinkling sound perfectly complemented the oriental atmosphere of the tree’s form and foliage. The wonderful thing about garden art is that, in having to endure the elements, it is generally made to be quite robust and therefore also capable of surviving the curious attentions of little children. It was a great joy to see how much the children engaged with the pieces and delighted in the garden.

Metal sculpture by Daren Greenhow.
Photo credit: Alida Robey

I had gone around the sculpture part of the exhibition, and it was almost as an after-thought that I recalled there was still the Quilting Exhibition to see. I love quilting, but wasn’t sure I was in the frame of mind to see ‘yet another display of quilting’. How wrong could I have been? I have to say that this ended up being the highlight of my day! I had never seen it’s like. One quilter using seemingly random lines of stitching to create landscapes, another creating a beautiful and very personal quilt narrating her family’s history. The latter used a technique whereby she had printed family photos and mementos of places lived into the cloth of the quilted sections. But the showstopper for me was this magnificent tableau by Jane Bjoroy called ‘True Nature’. Each exquisite creature is made by applying and appliqueing tiny pieces of different coloured cloth finely stitched. The whole scene of individual creatures was lovingly portrayed and beautifully interlinked into a stupendous portrayal of the magnificence and majesty of nature.

I have scarcely touched the surface of the great talent that was on display throughout the Botanic Garden, and the great love that the people of Bristol clearly have for this haven of tranquillity and creativity. All I can do is use the few glimpses shown here to urge those of you who sadly missed it this year, to make sure you put the date in your diary for 2018!

Nature is an extraordinary sculptor.
Photo credit: Alida Robey

When it comes to it though, I am fundamentally a gardener at heart. It was nature as artist and sculptor extraordinaire that stays with me and which this exhibition highlighted beautifully, both in reflecting nature in art and by drawing attention to the setting. These ferns (picture) for example, could just as readily have held their own in a sculpture gallery, to my view.

Alida Robey has a small gardening business in Bristol and attended the Botanic Garden’s annual Easter Sculpture Festival for the first time this year.