Month: July 2017

Walking among bees with Steven Falk

Posted on by andy.winfield

By Nicola Temple

Steven speaking to us in front of the limestone
meadow. Photo: Nicola Temple
I thoroughly love watching insects visit my garden (aphids and a few other pests excepted). However, I have to admit that beyond broad groupings, bumblebee, honey bee, hover fly, fly etc, I’m not very good at identifying them down to species. This clearly isn’t necessary to enjoy them, but I do find that when I know a species, when I know its routines and habits (as much as anyone does), then I have a deeper appreciation for them. So, when the University of Bristol Botanic Garden offered a bee identification workshop with Steven Falk, I signed myself up.
Steven Falkhas had an interest in insects since his childhood in London in the 1960s and 70s. Insects inspired his artwork and his skill as an artist earned him the honour of illustrating the book British Hoverflies, which he began working on when he was only 15. He has gone on to illustrate and write many publications since, including my newly acquired Field Guide to the Bees of Great Britain and Ireland (Bloomsbury, 2015).
Steven began the talk with some fast facts about insects in England. There are about 24,000 species of insect in England, 6,000 of which are regular visitors to flowers. “The biggest slice of this insect pie is wasps,” he explained. Even parasitic wasps visit flowers, and all together there are around 2,800 species.  Bees make up a mere 280 species and hover flies another 280. However, though they are less diverse in terms of species, bees and hoverflies are both abundant and extremely effective pollinators – so they punch above their diversity, so to speak.
Steven holding a yellow-legged mining-bee.
Photo: Nicola Temple
We start our walk in the Botanic Garden in the limestone meadow, just beside the West Terrace and the pond. If you unfocus your eyes a little and stare across the flowers, it is alive with activity. Steven shows us Myathropa florea, a reasonably sized hoverfly that has distinct grey markings on its thorax. It has an aqueous larvae, which lives in little rot holes at the base of trees. Then Steven points out a bumblebee mimic, Cheilosia illustrata, which tends to spend time near Hogweed because its larvae tunnel through the stems and roots. Apparently you can tell the age of a forest by the species of hoverfly present because they are so closely associated with certain plants.
Within minutes we’ve also spotted a common carder-bee (Bombus pascuorum) with its chestnut thorax – though Steven explains that this can be quite variable. It has a longer tongue and so this species is able to get down into the clover flowers. But there are also some buff-tailed bumblebees (Bombus terrestris) flying about also, which have shorter tongues and so they bite a hole at the base of the flower to rob the nectar. We spot lots of honey bees (Apis mellifera), which Steven also explains can be extremely variable in appearance, ranging from the typical striped appearance to almost entirely black – the tell tale sign being that its hind legs hang down as it flies. We haven’t even moved on the tour and we’ve already spotted at least six pollinator species – probably far more, I just can’t write fast enough to keep up with Steven listing them off!
The ‘fuzz’ of lamb’s ear is used by the female
wool-carder bee to line her nest.
Photo: Nicola Temple
Using what he calls his ‘praying mantis’ technique, Steven grabs a yellow-legged mining-bee (Andrena flavipes), and holds it so that we can all have a look at it. The long antennae tell you that this is not a fly, however, Steven goes on to list the colour variations that you can encounter. With all of these colour variations, I’m pretty sure I don’t stand a chance of accurately identifying anything on my own!
As we wander past some Lamb’s ear (Stachys byzantina), Steven mentions that the female wool-carder bee (Anthidium manicatum), a solitary bee, uses the fuzz from the plant’s leaves to line its nest. Steven then spots a patchwork leaf-cutter bee (Megachile centuncularis) and explains that it doesn’t collect pollen on its hind legs, but rather on its underbelly. Using his insect net, he catches it and place it temporarily in a little tube so that we all get a chance to look at it.
We walk past the wall germander (Teucrium chamaedrys) and there doesn’t appear to be a single flower that isn’t being visited by a bumblebee. It becomes obvious that while many of the tour participants are interested in the bees, they are equally interested in noting down which of the plants in the Botanic Garden are popular with pollinators so that they can create more bee-friendly gardens at home.
A great pied hoverfly (Volucella
pellucens).
Photo: Nicola Temple
As one would expect, near the end of the tour Steven begins to discuss some of the challenges that our pollinators face these days. He discusses the use of pesticides and the loss of habitat. He mentions that more erratic weather patterns and mild winters can lead to mortality – the latter causing over-wintering bees to go mouldy. But, he also finds the silver lining, stating that some bee species are expanding their distribution due to climate change.
It was only the commitment to another tour that forced Steven to end our walk. His love and enthusiasm for insects was apparent and he could have no doubt gone on to discuss far more than he did.
I definitely had different expectations for the workshop. I’m not sure whether it was the term ‘workshop’ or my own background in biological sciences that set my expectations that we would be looking at example specimens and comparing their features so that we might be able to better identify them. This was more of a garden tour and pollinator walk, which was lovely, but I’m not entirely sure I feel better equipped to identify bees in my garden as a result of being on the tour. If anything, it has shown me how much variation there can be within species let along adding in mimics and related species into the mix!  In the end I bought the Field Guide because really, in the end, that’s what it takes…good ol’ practice! And if I’m unsure Steven said to send him a picture on Twitter and he’ll help me identify it, which is brilliant! Not to mention, he has a fantastic free site on Flickr with pictures and information about all the British species, which is an incredible resource.
Germander (Teucrium chamaedrys) attracts
a tremendous number of pollinators.
Photo: Nicola Temple
This is the Year of the Pollinator at the Botanic Garden, so there are any number of pollination themed activities happening this year, including a beekeeping taster day, short courses for encouraging pollinators to your garden, and of course the annual bee and pollination festival in September.  And if you happen to snap a great photo of a pollinator this summer, you can enter the Botanic Garden’s photography competition, which will earn you a signed copy of Steven’s Field Guide to the Bees of Great Britain and Ireland as well as tickets to the Bee and Pollination Festival, visit the website for more details on how to enter.

The pretty peony – a flower of culture

Posted on by andy.winfield

By Helen Roberts

The peony has undeniably beautiful flowers, from the perfect spherical bud giving a hint of the petal colour underneath to the rapid unfurling of immense blooms. Even the foliage is attractive, particularly towards the end of the season when they readily take on autumnal tints.

I admire them in gardens that are not my own for I have never grown peonies, the tree nor the herbaceous species. The flowers, although staggeringly large and of sublime colours and subtle scents, are too short lived for my own small garden. After all peonies need space. However, I am looking forward to the development of a new peony garden in the University of Bristol Botanic Garden. It will form part of a new ‘Culture’ display, which is being implemented this year with the help of the Chinese Garden co-ordinator, Tony Harrison, who is a traditional Chinese herbalist.

Tree peony. Image credit: RHS

Peonies are native to Asia, Southern Europe and North America and are contained within the Paeoniaceae family. There are 4 different types, the tree peony, herbaceous peony, the hybrids and the intersectional peonies, which are crosses of tree and herbaceous peonies. Tony explains the different species of tree peonies [1]:

‘When they first arrived, the Chinese tree peony was thought to be a single species which was named Paeonia suffructicosa, but research showed P. suffructicosa to be a hybrid which has been derived from at least three main species which have been interbred over several thousand years to produce the wide range of cultivars from different regions of China. These original source species were then separated into three separate wild species as P. ostii, P.jishanensis and P. yunanensis.’

A number of species will be cultivated in the new peony display at the Botanic Garden. These will include ones from different regions of China including the wild species of P. ostii, P. jishanensis and P. yunanensis as well as P. delavayi, P. rockii and P. suffructicosa, and several herbaceous species.

A long history of medicinal use

Peony tubers have been used for medicinal purposes for centuries. The bark of the roots is used to treat congestion, blood disorders and worms [2]. Tony explains the importance of peonies in Chinese medicine:

‘Peonies were being used in medicine long before they were cultivated for ornamental purposes. It is considered that peonies have been used medicinally dating back about 2,000 years. The root bark of the tree peony is used to cool and move the blood, whereas the herbaceous peony is used to tonify the blood. The Chinese name for peony is mudan (牧丹) and the characters can be translated to mean the colour “red” but also “medicine” and “healing”. The bark is separated from the remainder of the root, chopped, dried and used in combination with other substances.’

The plant is also revered for its attractiveness. The flower colours range from yellow, cream, red, pink; all the way to lavender and near black [3]. Some have a unique, almost peppery and spicy, scent. I am fond of the smell, it is not cloying or overpowering like some flower scents. The choice of peony hybrids and cultivated varieties is vast, there are so many to choose from. The herbaceous peonies are more commonly grown in Europe and North America and because of this familiarity with the herbaceous form, tree peonies are not as popular. I prefer the tree peonies as they offer interesting foliage and architectural form.

The tree peony has been grown for its flowers in China since the 6th and 7th centuries during the Sui (581-618 AD) and Tang dynasties (618-906 AD) when it appeared in the imperial palaces. It is rumoured to be one of the first flowers to be cultivated purely for its ornamental purposes from the ancient city of Luòyáng and the seat of the Sung dynasty (960-1279 AD), hence it is often called luòyànghuā or flower from Luòyáng [2]. The enthusiasm during the Sung dynasty for peonies is comparable to the tulip mania that gripped Holland in the 17th century and immense sums where paid for highly prized peonies. In Luòyáng many peony exhibitions and shows are still held there annually. Peonies in China are normally cultivated by planting in terraces or raised beds and protected from the harsh summer sun by mat awnings [2].

The symbolism of the peony

Along with many other flowers grown in China, the peony is shrouded in layers of symbolism. Among the tree peonies (Peonia suffruticosa), the male vermilion flower is known as the ‘King of Flowers’ (花王 hūawang) and represents both royalty and aristocracy [2]. The tree peony was originally grown by royalty, the aristocracy and eventually, over time, throughout China. In the imperial palaces, it was often displayed in opulent reception halls, being used as a table plant in large vases. The ink and deep red forms as well as a variety with a yellow edge on the petals, known as the ‘Golden border peony’ were highly valued [4]. The peony is also called fùguìhūa (富貴花), the flower (hūa) of wealth (fù) and rank (guì) symbolising wealth, social status and honour [2]. Despite being associated with the yang principle (male) of masculinity and brightness it also represents female beauty and reproduction, especially erotic lushness [5].

The flowers of the four seasons – the tree peony is spring.
Image: Jimmie on Flickr [CC By 2.0]

The tree peony is one of four flowers which symbolise the seasons; tree peony –  the spring (and March); the lotus – summer; the chrysanthemum – autumn; and the plum – winter.

The herbaceous peonies are termed the ‘Prime Minister of All Flowers’ and are also highly prized.
As well as using the plant form itself, peonies have long been depicted in Chinese art forms (literary and visual) for centuries and they form one of the main motifs in silk tapestries, paintings, lacquerware and clothing. They are often displayed alongside peacock, pheasant, fowl, phoenix and lion to represent splendour, status and nobility [2].

Such is the importance of peonies in Chinese culture that numerous stories and poems have been written and told. There is the wonderful fable of ‘The Fabulous Peony’, where the wicked and vain Empress Wu Zetian ordered all flowers in the Imperial garden to bloom overnight in winter and those that did not would be punished. The senior member of the Imperial garden, the Male Vermillion Peony refused to obey, whilst the other flowers in the garden submitted and duly produced blooms to please Empress Wu.

In her fury at being disobeyed, the peony was banished from the Imperial Palace and anyone growing it would be put to death. To save the peony from destruction the royal gardener, Pei Fu sent roots of the peony to a friend in Luoyang, a place considered lacking in culture and hence not likely a place to arouse suspicion. And here the peony flourished, the peony gardens at Luoyang remaining a secret until the death of the Empress Wu when it emerged out of hiding [6].

Helen Roberts is a trained landscape architect with a background in plant sciences. She is a probationary member of the Garden Media Guild and a regular contributor to the University of Bristol Botanic Garden blog.

References:

[1] Harrison, T. Varieties of Peony. Journal Archive. The Register of Chinese Herbal Medicine.
[2] Williams, C.A.S., 2006. Chinese Symbolism and Art Motifs: A Comprehensive Handbook on Symbolism in Chinese Art Through the Ages. Tuttle Publishing.
[3] Fearnley-Whittingstall, J., 1999. Peonies. Harry N. Abrams.
[4] Li, H.L., 2012. Chinese flower arrangement. Courier Corporation.
[5] Welch, P.B., 2013. Chinese art: A guide to motifs and visual imagery. Tuttle Publishing.
[6] Chew, K., 2008. The Magical Dumplings and Other Chinese Fables. iUniverse.